Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
You can download the music for free - but we're trying to get enough money to subsidise future recordings, so all contributions are appreciated. If you haven't any money, then please help yourself; just make sure you spread the word.
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The album download includes a bonus item: the video documentary "Ned in the Shed", featuring Churn Milk Joan being interviewed by Ned Netherwood.
Basic tracks recorded in Hebden Bridge, 21st September 2013
Overdubs 18th/19th/21st January 2014.
"Fine, funky, freeform, fab!" - Terence Bergin.
"Can, Bill Laswell and 'Remain In Light'-era Talking Heads wedged in between two funky buses." - Paul Dementio
"It's magic or mystery or something" - Michael Inman
"Pure genius" - Steve Andricks
"Most definitely not easy listening but then I wouldn't expect it... Definitely recommended for those who don't expect their musical tastes to be comfortable or commercial" - Dave Lee
credits
released February 1, 2014
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Richard Knutson: vocals, fretless bass, drums, percussion, bamboo marimba, groovebox vibes
Colin Robinson: guitar, looper, groovebox, groovebox vibes, drum machine, sampler, percussion, bamboo marimba, kalimba, post-horn, The Thing, bowed tumbi, ocarina, recorder, whistling and laughing.
No synthesisers.
The samples used on "The Kearsley Cargo Cult" were recorded by Mark Joell and Colin Robinson at the Purley Chase Swedenborgian Centre, Warwickshire in 2007.
It leans both on good melody and on all-out avant-garde’ism... finding the perfect balance between the two. I am really both intrigued and impressed by this album - Torodd Fuglesteg of Prog Archives Churn Milk Joan
Jumble Hole Clough is a project by Colin Robinson to produce music influenced by the landscape, industrial remains and experiences around Hebden Bridge in West Yorkshire. Churn Milk Joan
supported by 9 fans who also own “I Live In Your Stomach”
Instruments acoustiques et musiques électroniques font très bon ménage lorsque leur utilisation ne permet plus de distinguer quel son appartient à quel instrument. C'est ce qui se produit ici ; l'osmose est parfaite ! Corrèze the deads